In response to Miranda's post entitled The Gaga
Gospel, I had never before actually seen the video for Judas - other
than hearing it on the radio quite often for a period of time after its release
last year - and am so intrigued by the multiple, and explicit, religious
imagery and
symbolism present in both this video as well as in it's accompanying lyrics.
symbolism present in both this video as well as in it's accompanying lyrics.
As a Christian, it would be easy to say that some
of this borrowing from Christian imagery could be seen as offensive, mainly
because of the juxtaposition of all of these elements with incongruous (and
provocative) elements such as guns and sex - but in all honesty, I found it
very intriguing to see the various creative applications of all of these
constituent parts, combined with overt sexuality, violence and other such
visually striking elements. In ways, I believe this is one of the main reasons
why videos such as this are important artifacts in the study of popular culture
- today's generation, especially young adults, are so used to being over-stimulated
by all of the media that engulfs them in their quotidian surroundings, that it
would be highly unlikely for a boring video that lacks such juxtaposing
elements to strike any real interest in them. Whether or not this is a
testament to a lack or gain in cultural appreciation in today's younger
generation is an entirely new topic in itself. I really do have to say that I
strongly agree with your comment that appreciation of her work, more
specifially her striking music videos in which she takes a great part in
bringing to completion: "comes down to a matter of opinion - appreciation
of music and music videos is akin to appreciation of art and films - it is
highly subjective". Subjectivity is key in considering whether or not this
borrowing of Christian imargery is offensice or merealy entertaining, however
it is without saying that she is definitely pushing new creative boundaries
that are shocking to watch.